Posted byby LidaLostJanuary 4, 2026San Sebastián ‘25 Made in Spain: “Away” Der Titel Gerard Oms autobiografisch inspirierten Spielfilm-Debüts beschreibt nicht nur die räumliche Distanz des verschlossenen Protagonisten…
Posted byby LidaLostJanuary 4, 2026Locarno ‘25 Fuori Concorso: “Deathstalker” If someone asked if Steven Kostanski’s retro-romancing reboot of Roger Corman’s eponymous sword-and-sorcery film series is…
Posted byby LidaLostJanuary 4, 2026KVIFF ‘25 Afterhours: “Fucktoys” Unruly, absurdist, and full of Salacious irony, Annapurna Sriram’s debut feature makes a very clear point…
Posted byby LidaLostJanuary 4, 2026Locarno ‘25 Fuori Concorso: “Nova ‘78” For a 78 brisk minutes, Aaron Brookner and Rodrigo Areias’ defining documentary about the Nova Convention…
Posted byby LidaLostJanuary 4, 2026KVIFF ‘25 Out of the Past: “Chain Reactions” Just stopping short before falling into hommage, Alexandre O. Philippe’s essayistic documentary delivers a forensic examination…
Posted byby LidaLostJanuary 4, 2026KVIFF ‘25 Special Screenings: “The Czech Film Project” Despite its premise, Marek Novák and Mikuláš Novotný’s reductive reflection on the state of Czech cinema…
Posted byby LidaLostJanuary 4, 2026KVIFF ‘2025 Crystal Globe Competition: “Broken Voices” An ensemble of young female talent, a privileged social setting where associates are also rivals for…
Posted byby LidaLostJanuary 4, 2026KVIFF ‘25 Special Screenings: “Promise, I’ll Be Fine” A seemingly small but significant detail of Katarína Gramatová’s feature film debut, screening at Karlovy Vary…
Posted byby LidaLostJanuary 4, 2026KVIFF ‘25 Special Screenings: “Tehran Another View” Ali Behrad’s entry to Karlovy Vary’s Special Screenings blends romance and energy to capture a city…
Posted byby LidaLostJanuary 4, 2026PÖFF ‘25 Best of Festivals: “Song Sung Blue” Es braucht eine Weile und einige dramaturgische Längen, bis das Hauptfiguren-Duo Neil Diamonds titelgebenden Klassiker vortragen…