Cannes 2026 Midnight Screenings: „Sanguine“
Since Coralie Fargeat‘s bloodthirsty body horror The Substance, Cannes has developed a taste for women-made genre…
Cannes 2026 Special Screenings: „Lucy Lost“
That well-meaning message of countless children’s movies, “Just be yourself”, becomes increasingly ambivalent in Olivier Clert’s…
Cannes 2026 Premiere: „John Lennon: The Last Interview“
One day we will all be replaced by computers, says Yoko Ono in an ironic moment…
Cannes 2026 Critics Week: „We Are Aliens“
Childhood constructs of the world around and the seismic reverberations their collapse can send into adulthood…
Cannes 2026 Un Certain Regard: „Everytime“
A sunrise casting a strangely beautiful light on a row of drab apartment towers from one…
Movie Review: „Le Million“
Wenn Christian Clavier in einer Szene Grégoire Vignerons tumber Ganove-Posse mit Fistelstimme und schlecht sitzender Perücke…
Cannes 2026 Competition: „Parallel Tales“
A meaningful scene in Asghar Farhadi’s pretentious psychothriller has Catherine Deneuve (in a delightful cameo) tell…
Cannes 2026 Special Screenings: „Groundswell“
„I know what you‘re thinking: Not another one of these depressing environmental documentaries!“, verkündet Woody Harrelson…
Cannes 2026 Directors Fortnight: „Low Expectations“
Wenn das antifeministische Romanzen-Trope der erfolgreichen Großstadt-Businessfrau, die in ihr wahres Glück in ihrem provinziellen Heimatort…
Cannes 2026 Special Screenings: „Molière, Cyrano and the Young King“
„Die Kaprizen des alten Michel Leclerc“ wäre ein treffenderer Titel für den konfusen Kostümschinken, den der…