Posted byby LidaLostJune 1, 2025Cannes ‘25 Special Screenings: “The Man Who Saw the Bear” Dass Pierre Richard das letzte Mal hinter der Kamera stand statt davor, ist gut 28 Jahre…
Posted byby LidaLostJune 1, 2025Cannes ‘25 Out of Competition: “The Richest Woman in the World” Warum lassen sich Leute, die so ziemlich alles haben, was man sich denken kann – Geld,…
Posted byby LidaLostJune 1, 2025Cannes ‘25 Competition: “Resurrection” Die Leinwand, deren Aufnahme Bi Gans enigmatisches Ode an ein Jahrhundert des Kinos rahmt, erscheint altarartig…
Posted byby LidaLostMay 9, 2025PÖFF ‘24 Midnight Shivers: „Heretic“ Hugh Grant is fearsome and fun in Scott Beck’s and Bryan Wood’s twisted test of faith…
Posted byby LidaLostApril 29, 2025PÖFF ‘24 Best of Festivals: „A Real Pain“ Past and present pain is tragicomically revisited in Jesse Eisenberg’s elliptical excursion, screened in the “Best…
Posted byby LidaLostApril 29, 2025PÖFF ‘24 Competition: “Pyre” Poignant, painful and poetic, Vinod Kapri’s gently humorous drama is a highlight at Tallinn’s Black Nights…
Posted byby LidaLostApril 17, 2025Visions du Réel ‘25 Closing Feature: Reality/s Welchen Platz hat Dokumentarfilm in einer Welt, in der die Frage, was wahr ist, verdrängt wird…
Posted byby LidaLostApril 15, 2025CPH:DOX ‘25: “Zodiac Killer Project” Charlie Shackleton turns his own failed attempt at making a Zodiac killer documentary into a witty…
Posted byby LidaLostApril 15, 2025CPH:DOX ‘25: “9-Month Contract” Ketevan Vashagashvili’s documentary portrays a young mother who turns to surrogacy to provide for her own…
Posted byby LidaLostApril 15, 2025CPH:DOX ‘25: “Hacking Hate” Simon Klose’s deep-dive documentary follows an online investigator into the digital networks of white supremacists Some…