Marrakech ‘25 Morrocan Panorama: „Those Who Watch over“
Do the living who watch over the dead in Karima Saïdi’s observational obituary? Or is it…
Marrakech ‘25 Competition: „Memory“
From its opening frames, Vladlena Sandu’s essayist drama announces itself as an intimate reckoning with a…
Marrakech ‘25 Gala Screenings: „Homebound“
A decade after his last cinematic effort, Neeraj Ghaywan returns with a prestige project, shepherded by…
Marrakech ‘25 11th Continent: „Life after Siham“
He would want for life to be a movie, says Namir Abdel Masseeh in one heartbreaking…
Marrakech ‘25 Morrocan Panorama: „Five Eyes“
More than half of his long life, writer and composer Paul Bowles spent in Morocco. His…
Marrakech ‘25 Competition: „Amoeba“
The amorphous body of the titular organism becomes a microscopic metaphor for the undefined shape of…
Marrakech ‘25 Competition: „Ish“
The title of Imran Perretta’s bleak debut feature evokes a short form of Ismael, the Melville-inspired…
Marrakech ‘25 Morrocan Panorama: „Autisto“
“It’s taken from facts which are close to me; (…) inspired by my own experience,” says…
Movie Review: “Pfau – Bin ich echt?”
Der titelgebende Frage Bernhard Wengers satirischen Spielfilm-Debüt soll sich nicht nur der von einem famos verlorenen…
Movie Review: „Riff Raff“
Dass Dito Montiels altväterlicher Gangster-Klamauk zwiespältige Gefühle hinterlässt, liegt nicht an dessen Qualität. Die ist ganz…