Posted byby LidaLostJanuary 4, 2026TIFF Romania ‘25 Tomorrow is Fear: “In the Belly of AI” Directed by Henri Poulain and co-written with Antonio Casilli and Julien Goetz, this 75-minute documentary aims…
Posted byby LidaLostJanuary 4, 2026TIFF Romania ‘25 Smart 7: “Internal Zero” On its slick surface, Eugene Jebeleanu’s feature adaptation of Lavinia Braniște’s eponymous novel is about a…
Posted byby LidaLostJanuary 4, 2026TIFF Romania ‘25 Competition: “The Kingdom” A closeup on a dead boar on the return drive from a hunting trip. News footage…
Posted byby LidaLostJanuary 4, 2026TIFF Romania ‘25 Romanian Days: “A Rebel Edge” Bogdan Puslenghea’s A Rebel Edge wants very much to be a melancholic candle flickering in the…
Posted byby LidaLostJanuary 4, 2026TIFF Romania ‘25 Hungarian Day: “Vulture’s Wake” One could write a whole catalogue of thesis projects about the social-psychological and sociopolitical themes in…
Posted byby LidaLostJanuary 4, 2026TIFF Romania ‘25 Competition: “Three Days of Fish” In a coincidental chat at TIFF Romania, where Peter Hoogendoorn‘s semi-biographical sketch Three Days of Fish…
Posted byby LidaLostJanuary 4, 2026Movie Review: “The Naked Gun” Dass Beste, das sich über Akiva Schaffers Neuauflage der Kult-Komödie des ikonischen ZAZ-Trios sagen lässt, ist…
Posted byby LidaLostJanuary 4, 2026Movie Review: “Jurassic World Rebirth” Das Anfangsszenario des von Gareth Edwards inszenierten siebten Beitrag zur Dino-Dystopie wirkt wie eine unfreiwillige Analogie…
Posted byby LidaLostJanuary 4, 2026Movie Review: “M3GEAN 2.0” Eine bezeichnende Szene in Gerard Johnstone von niemandem erwarteten Sequel zu seinem verstörend erfolgreichen Technophobie-Horror M3GAN…
Posted byby LidaLostJanuary 4, 2026San Sebastián ‘25 Competition: “Sundays” Dass Alauda Ruiz de Azúas fundamentalistisches Familiendrama in San Sebastián den Hauptpreis des Wettbewerbs davontrug, und…