Venice ‘25 Out of Competition: “The Monster of Florence”
“Es kann nur eine Wahrheit geben”, sagt eine polizeiliche Ermittlerin in dem titelgebenden Mordfall Stefano Sollimas…
Locarno ‘25 Fuori Concorso: “Judas’ Gospel”
From the moment blasting heavy metal music throws the blood-red opening credits on the black screen,…
Locarno ‘25 Concorso Cineasti del Presente: “Don’t Let Me Die”
Quiet tragedy, absurdist humor, and unsettling undertones of genre cinema blend in Andrei Epure’s gloomy feature…
Locarno ‘25 Fuori Concorso: “Kerouac’s Road: The Beat of a Nation”
America has a thing with myth making, one of the prominent interviewees remarks more than half-way…
Cannes ‘25 Out of Competition: “Mission:Impossible – The Final Reckoning”
“The Future is not written”, verkündet Tom Cruise gewichtig im achten Teil des ausufernden Action-Franchise, „It…
Cannes ‘25 Out of Competition: “Amrum”
There’s a treacherous tranquility to the title of Fatih Akin’s latest foray into biographic topics after…
“M3GAN”: Man-made materialisation of menacing female intelligence
Gerard Johnstone’s sci-fi horror comedy depicts women’s technological abilities as uncontrollable threat In more than one…
Movie review: “Rust”
“What can we do to make this better?”, reads a quote before the end credits run…
PÖFF ‘24 Competition: “Silent City Driver”
A reticent hearse driver reconnects with life in Sengedorj Janchivdorj’s moody road movie The noir-ish ride…
Movie Review: “Muxmäuschenstillˣ”
Als vor gut zwei Jahrzehnten Jan Henrik Stahlbergs Mockumentary Mucksmäuschenstill in die Kinos kam, traf er…