Posted byby LidaLostApril 29, 2025Movie Review: “Sinners” “Black History is Black horror”, heißt es in Xavier Burgins exzellenter Genre-Doku Horror Noir über Schwarzen…
Posted byby LidaLostApril 29, 2025Movie Review: “The Accountant²” Der bemüht trendige Titel Gavin O‘Connors Fortsetzung seiner 2016er Action-Comedy The Accountant ist sehr wörtlich zu…
Posted byby LidaLostApril 29, 2025PÖFF ‘24 Best of Festivals: „A Real Pain“ Past and present pain is tragicomically revisited in Jesse Eisenberg’s elliptical excursion, screened in the “Best…
Posted byby LidaLostApril 29, 2025Movie Review: “Death of a Unicorn” Nicht nur der Titel Alex Scharfmans abendfüllenden Regiedebüts ist ein falsches Versprechen, sondern der gesamte Film.…
Posted byby LidaLostApril 29, 2025PÖFF ‘24 Competition: “Pyre” Poignant, painful and poetic, Vinod Kapri’s gently humorous drama is a highlight at Tallinn’s Black Nights…
Posted byby LidaLostApril 15, 2025CPH:DOX ‘25: “Zodiac Killer Project” Charlie Shackleton turns his own failed attempt at making a Zodiac killer documentary into a witty…
Posted byby LidaLostApril 15, 2025CPH:DOX ‘25: “9-Month Contract” Ketevan Vashagashvili’s documentary portrays a young mother who turns to surrogacy to provide for her own…
Posted byby LidaLostApril 15, 2025CPH:DOX ‘25: “Hacking Hate” Simon Klose’s deep-dive documentary follows an online investigator into the digital networks of white supremacists Some…
Posted byby LidaLostApril 15, 2025CPH:DOX ‘25: “The Last Ambassador” Natalie Halla documents the challenging work of Manizha Bakhtari, female ambassador of Afghanistan “We never anticipated…
Posted byby LidaLostApril 15, 2025CPH:DOX ‘25: “Girls & Gods” FEMEN leader Inna Shevchenko discusses religion in a documentary on feminism and faith The synopsis of…