Marrakech ‘25 11th Continent: „I want Her Dead“
Two archenemies, a longstanding family feud, the scenic stage of a remote Calabrian village where the…
Marrakech ‘25 Morrocan Panorama: „Those Who Watch over“
Do the living who watch over the dead in Karima Saïdi’s observational obituary? Or is it…
Marrakech ‘25 Competition: „Memory“
From its opening frames, Vladlena Sandu’s essayist drama announces itself as an intimate reckoning with a…
Marrakech ‘25 Gala Screenings: „Sophia“
Wenn es einen Preis für Konventionalität im Krimi-Kino gäbe, hätte Dhafer L’Abidines generische Kidnapping-Thriller den praktisch…
Marrakech ‘25 11th Continent: „All My Sisters“
Die Stimmen vor der Kamera, die den drei zentralen Figuren Masoud Bakhshis Langzeit-Dokumentation sukzessive ein repressives…
Marrakech ‘25 11th Continent: „My Armenian Phantoms“
Unter den Gesichtern der Geister des armenischen Kinos, die Tamara Stepanyan in ihrem intimen Geflecht von…
Marrakech ‘25 Morrocan Panorama: „Port Bagage“
The titular baggage of Abdelkarim El-Fassi’s first feature film, debuting in the Moroccan Panorama section of…
Marrakech ‘25 Competition: „Amoeba“
The amorphous body of the titular organism becomes a microscopic metaphor for the undefined shape of…
Marrakech ‘25 Competition: „Ish“
The title of Imran Perretta’s bleak debut feature evokes a short form of Ismael, the Melville-inspired…
Marrakech ‘25 Gala Screenings: „Homebound“
A decade after his last cinematic effort, Neeraj Ghaywan returns with a prestige project, shepherded by…