Posted byby LidaLostEditor & AuthorMovie Review: “Xoftex” Der Name Noaz Deshes zweiten Langfilms klingt wie eine psychedelische Droge, wie ein gefährlicher Ort in…
Posted byby LidaLostEditor & AuthorMovie Review: „The Monkey“ Osgood Perkins darkly comical adaption of Stephen King’s short story wavers between bloody fun and overkill. …
Posted byby LidaLostEditor & AuthorMovie Review: „The End“ Trotz all der eklatanten stilistischen, motivischen und thematischen Unterschiede hat Joshua Oppenheimers symbolschweres Spielfilm-Debüt mit seinem…
Posted byby LidaLostEditor & AuthorSundance ‘25 World Documentary Competition: “Predators” David Osit’s harrowing Sundance documentary on NBC’s infamous true crime series “To Catch a Predator” takes…
Posted byby LidaLostEditor & AuthorSundance ‘25 Midnight: “Together” Alison Bree and Dave Franco unite on many levels in an amusing horror film about emotional…
Posted byby LidaLostEditor & AuthorSundance ‘25 US Dramatic Competition: “Lurker” Théodore Pellerin and Archie Madekwe shine in Alex Russell’s cynical feature debut about parasitical friendship and…
Posted byby LidaLostEditor & AuthorSundance ‘25 Premieres: “The Stringer” Bao Nguyen’s mesmerising documentary follows a photojournalist in his search for the truth about the authorship…
Posted byby LidaLostEditor & AuthorPÖFF ‘24 Baltic Competition: “Touched by Eternity” Does the title of Mārcis Lācis monstrous entry to Tallinn’s Black Nights Film Festival refer to…
Posted byby LidaLostEditor & AuthorSundance ‘25 Next: “East of Wall” Wenn man ein Beispiel für einen quintessenziellen Sundance-Film sucht, dann wäre das Kate Beecrofts semi-biografisches Spielfilm-Regiedebüt.…
Posted byby LidaLostEditor & AuthorSundance ‘25 US Dramatic Competition: “Atropia” “Everyone else is making money off this war,” kommentiert die Hauptfigur Hailey Gates ungelenker Kriegssatire in…