San Sebastián ‘25 New Directors: “White Flowers and Fruits”
Ghosts, grief, and growing up form a melancholic mêlée in Yukari Sakamoto’s directorial debut about characters…
San Sebastián ‘25 Made in Spain: “The Sleeper”
Caravaggio has become a rockstar of painting, comments one of the art experts hunting after a…
San Sebastián ‘25 Made in Spain: “San Simón”
Contributing to the growing body of Spanish cinema dealing with the unresolved legacies of the Civil…
San Sebastián ‘2025 Made in Spain: “Everything I Don’t Know”
With a strong performance at its center and a sense for the subtle dynamics of family…
Movie Review: “Good Boy”
Among the countless fictions viewing their world through the eyes of an animal protagonist, only a…
Movie Review: “On Swift Horses”
Für eine – zumindest zu 50 Prozent der amourösen Verwicklungen – queeren Love Story, basierend auf…
Movie Review: “Saint-Exupéry”
Ein Jahrzehnt, nachdem Pablo Agüero in Eva Doesn’t Sleep Evita Peron zur Schlüsselfigur eines skurrilen Pseudo-Biopics…
Annecy ‘25 Presents: “The Girl Who Stole Time”
Die Hingabe zum Kino zeigt das animierte Fantasy-Epos aus den Händen des bewährten Regie-Trios Ao Yu,…
KVIFF ‘25 Horizons: “The Love That Remains”
Hlynur Pálmason explores a family’s slow breakup with enticing imagery, and a distinctly offbeat sense of…
Karlovy Vary ‘25 Crystal Globe Competition: “Bidad”
“Aufschrei“ bedeutet der Titel Soheil Beiraghis rebellischen Regie-Debüts, und ein solcher ist das zornige Requiem für…